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‘The Journey’ - The Octopus Division

  ‘The Journey’ - The Octopus Division In ‘The Journey,’ a sonic mosaic unfolds that—permeated by neon-soaked synth pads and a melody that feels like memory—is less a song than a spiritual compass. The time that relentlessly pursues us, according to ‘Time keeps chasing us every day’, is not portrayed as an enemy, but as a constant touchstone that we face with our heads held high: ‘ We won't let the rain wash us away’ . Photography, here metaphorically as a key to the past, opens doors to moments that seem long gone but live on within us. The chorus – a kind of collective mantra – describes not just a journey, but an intertwining of stories that support each other. The garden in which hopes take root becomes a symbol of what must be nurtured in order to flourish. And when ‘ our songs have lost a note or two ’, it is not a flaw, but proof of lived depth. A song that is not meant to be heard, but to be lived through – like a familiar glance at an old photo album by candlelight. b...
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Indie
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Synth Pop
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NenesButler

A sincere apology: “Forgive Me” by Joelle Charan



“Forgive Me” by Joelle Charan

Joelle Charan, a singer-songwriter with a captivating voice, presents her newest song, “Forgive Me”. The song showcases a splendid fusion of piano, celesta and double bass, evoking a smooth-jazz atmosphere in the verses and exploring a more daring sound in the choruses. Joelle enriches the choruses with vocal and instrumental harmonies, and concludes the song with a distinctive French horn outro. 
The song is a sincere apology to her mother, with whom she had a heated argument. She expresses her regret and asks for forgiveness, hoping to restore their relationship. She also acknowledges her own flaws and weaknesses, and how they affect her interactions with others. The lyrics are simple but powerful, conveying a sense of vulnerability and remorse. Joelle experienced loneliness and remorse after the dispute, and sought forgiveness to mend her wounds. 
Joelle’s voice is a stunning instrument that complements her music beautifully. She composed and arranged the song by herself, and collaborated with John Reynolds, a distinguished producer who has worked with artists such as Sinéad O’Connor, Brian Eno, U2, and Damien Dempsey.


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