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Please Insert Coin: ‘Games’ by The Octopus Division

‘Games’ by The Octopus Division If you love the 80s and don't know Matt Muncie (aka The Octopus Division), you've definitely missed something. But as it's never too late for good music, you can catch up on what you've missed anytime and almost anywhere.  The Octopus Division's latest work is called ‘Games’ and once again represents the decade of neon lights perfectly. The major sequences are classically chosen, and you'll be hooked from the start. Back in the world of arcade games, the song becomes an intense journey of self-discovery, describing personal growth. Timelessness and shared experiences emphasize the importance of interpersonal bonds. ‘Games’ creates a dreamy atmosphere that allows you to immerse yourself in another world and makes you think about the future - all because you pressed the start button.  The entire production clearly bears Matt's signature, with classic drums, synth arrangements, and above all, the usual concise vocal part, which...
Indie
Pop
New Wave
Synth Pop
Electronic
NenesButler

#New on the #Playlist! - TANOKI, axelle64, Grandios Sensibel & Piperlain

From Indie Electro to Folktronica

"Desire" by TANOKI

"Desire" is the newest creation from TANOKI, the musical alter ego of Paul Mahon, a visionary producer from Kilkenny. He joins forces with Moses Moorhouse, a fellow Kilkenny talent, who adds his soulful vocals to the mix. The song is a synthesis of electro indie and alternative rock, influenced by the likes of Alt-J, Metronomy, MGMT, M83. Desire reveals Mahon’s flair for designing captivating and varied soundscapes, as well as Moorhouse’s expressive and emotive voice. The song conveys the theme of longing and passion, with lyrics that are both poetic and authentic. Desire will entice listeners who appreciate electro/indie music, as well as those who are intrigued by a fresh and exhilarating sound.

“schmetterling” by axelle64

With “schmetterling” (butterfly), axelle64 unveils a new musical creation today, following his collaboration with the Berlin-based electropop artist VALENTIN on the song “Model” earlier this year. The track oscillates between dream and reality, from verses that express the dread of tomorrow, to a disoriented pre-chorus sleep phase, to a potent dream world in the chorus. The lyrics are alternately gloomy and relatable, or intimate and whimsical.

"The End Of October" by Grandios Sensibel

"The End Of October" is a powerful and personal expression of the artist’s struggle with loss and self-discovery. The musical elements, such as the chord progression, the style, the sounds, the dramaturgy, and the rhythm, mirror the theme of the lyrics. Grandios Sensibel was responsible for all the instruments, including piano, guitar, and bass, and he also handled the production and editing of the song in her home studio. Her former fellow student Josephine Stenger-Ruh “jo_onpaper” designed the cover artwork, which reflects the song’s mood in a stunning visual.

"Fate" by Piperlain

"Fate" is the latest artistic endeavour from Piperlain. The track is a genuine fusion of indie folk and folktronica, enriched with progressive pop/rock sounds, tribal percussion, and Middle Eastern influences. The track exhibits Piperlain’s multifaceted and eclectic style, which integrates elements of alternative folk/rock/pop, world music and percussion, using instruments such as the djembe and 12-string guitar. The song is inspired by a new relationship and the journey of excitement, anticipation, and contemplation of a romantic future, as well as the anxiety and desperation of waiting for someone special to return after being away.

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