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Electro-Pop’s Poet of Pain: Me & Melancholy Releases ‘Tears In The Rain’

‘Tears In The Rain’  by  Me & Melancholy Whenever there’s a new release from Me & Melancholy , it fills us with anticipation. This time, the artist paints a compelling portrait of human vulnerability and the complexity of interpersonal relationships.  ‘Tears In The Rain’ succeeds in capturing the essence of ephemeral beauty and the pain of the inevitable, expressing it through music. The dynamics of estrangement, articulated in the lines ‘I’m not able to reach you ’ and ‘ the more I try, the further I push you away ’, reflect a tragic irony. It feels like a dance of approach and withdrawal, prompting listeners to contemplate the paradoxes that often occur in our most intimate relationships.  The artist’s signature melancholic tone conveys a plea for acceptance and an attempt to bridge the gap created by misunderstandings and hurt feelings. Musically, Peter Ehrling navigates familiar territory, once again leveraging it to his advantage by capturing the emotional depth.   ‘Tears

Indie Folk/Rock Magic: ‘Facing the Wind’ by S.J. Armstrong

"Facing the Wind" by S.J. Armstrong

The next artist we’re diving into today is someone who consistently proves their talent time and time again: S.J. Armstrong. His latest release is titled "Facing the Wind." In this song, a man prophesies the end of the world. While this theme has been frequently explored in the music world, S.J. Armstrong takes an extraordinary and highly intuitive approach to musical execution. 
As previously heard in ‘The Morning,’ he employs vocal arrays that harmoniously blend with a variety of instruments. The result is a breathtaking auditory experience that is challenging to compare with other works. S.J. Armstrong plays all the instruments himself, handles the vocals, and is also responsible for the engineering, mixing, and mastering. 
With “Facing the Wind,” he creates another dazzling gem that captures the charm of indie folk/rock and weaves it into a modern fabric with a touch of 70s sound reminiscent of America’s “A Horse With No Name.” The song possesses earworm quality, resurfacing repeatedly and refusing to be easily shaken off. 
With this second release from his upcoming third album, he raises expectations, and the third single is already waiting in the wings. Until then, remember: Face the wind!




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