“Ghosts of Perversion” by Spag Ruckus
In the tumultuous arena of electronic sound art, where shadows capture the whispers of perversion, Thomas Desbouvrie, known in the ether as Spag Ruckus, releases his electro avant-garde IDM album “Ghosts of Perversion.”
A work that both whispers and screams, it is a resonant space of diversity hidden in the depths of its compositions. Each piece is emotion, a labyrinth of spectral echoes and bass frequencies that twist through the darkness. This album is a melting pot of styles and timbres, giving the concept of variety a new dimension, from the untamed power of the bass to the narrative arcs of film music.
The sounds, born from modular synthesis, form the pulsating heart of this long-player, vibrating with an organic warmth that is intensified by the glitches and flaws that Spag Ruckus considers the quintessence of electronic music. With “Ghosts of Perversion,” Spag Ruckus makes us feel the vibrations from jazz to electro and demonstrates his prowess.
The first highlight, “The Pledge (feat. Leita),” tells of lost moments, unfulfilled hopes, and the deep pain of missing in a perfect jazz setting. “Embracing Monsters” delivers energy in the form of avant-garde bass music for the dance floor. The re-encounter with “Metamorphosis” will captivate the listener once again, while “Annihilation” and “Autopanic (feat. Regal Standard)” round off the album with experimental electro beats before “Le Duel” closes the gates.
A final look back confirms: “Ghosts of Perversion” by Spag Ruckus is a success and offers everything one could wish for, from electronica to jungle, over French electro or IDM.
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