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‘The Journey’ - The Octopus Division

  ‘The Journey’ - The Octopus Division In ‘The Journey,’ a sonic mosaic unfolds that—permeated by neon-soaked synth pads and a melody that feels like memory—is less a song than a spiritual compass. The time that relentlessly pursues us, according to ‘Time keeps chasing us every day’, is not portrayed as an enemy, but as a constant touchstone that we face with our heads held high: ‘ We won't let the rain wash us away’ . Photography, here metaphorically as a key to the past, opens doors to moments that seem long gone but live on within us. The chorus – a kind of collective mantra – describes not just a journey, but an intertwining of stories that support each other. The garden in which hopes take root becomes a symbol of what must be nurtured in order to flourish. And when ‘ our songs have lost a note or two ’, it is not a flaw, but proof of lived depth. A song that is not meant to be heard, but to be lived through – like a familiar glance at an old photo album by candlelight. b...
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A Creative Polyphonic Panorama: “Ghosts of Perversion (Album)” by Spag Ruckus

“Ghosts of Perversion” by Spag Ruckus

In the tumultuous arena of electronic sound art, where shadows capture the whispers of perversion, Thomas Desbouvrie, known in the ether as Spag Ruckus, releases his electro avant-garde IDM album “Ghosts of Perversion.” 
A work that both whispers and screams, it is a resonant space of diversity hidden in the depths of its compositions. Each piece is emotion, a labyrinth of spectral echoes and bass frequencies that twist through the darkness. This album is a melting pot of styles and timbres, giving the concept of variety a new dimension, from the untamed power of the bass to the narrative arcs of film music. 
The sounds, born from modular synthesis, form the pulsating heart of this long-player, vibrating with an organic warmth that is intensified by the glitches and flaws that Spag Ruckus considers the quintessence of electronic music. With “Ghosts of Perversion,” Spag Ruckus makes us feel the vibrations from jazz to electro and demonstrates his prowess. 
The first highlight, “The Pledge (feat. Leita),” tells of lost moments, unfulfilled hopes, and the deep pain of missing in a perfect jazz setting. “Embracing Monsters” delivers energy in the form of avant-garde bass music for the dance floor. The re-encounter with “Metamorphosis” will captivate the listener once again, while “Annihilation” and “Autopanic (feat. Regal Standard)” round off the album with experimental electro beats before “Le Duel” closes the gates. 
A final look back confirms: “Ghosts of Perversion” by Spag Ruckus is a success and offers everything one could wish for, from electronica to jungle, over French electro or IDM.

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